• Work
    • Empire, 2024
    • Ebb and Flow, 2023
    • Immolation, 2023
    • Enclosure, 2022
    • Ornaments, 2022
    • Ouroboros I-VI, 2022
    • The Weight of The World, 2021
    • Burrow, 2021
    • Scaffolding Series 2021 - 2020
    • Causeway, 2020
    • Brick & Tarmac, 2020
    • Green Screen, 2020
    • mirrors make me backwards but the ground keeps me rooted, 2019
    • Confession Series, 2019
    • Paradise (Lost), 2019
    • Attachment Issues, 2018
    • Pumpkin Spiced Latte, 2018
    • Location Works 2018 - 2019
    • "STUNNING", 2016
  • Info / Press
  • Free wall space
  • Four Walls
  • Menu

Henry Kitcher

  • Work
    • Empire, 2024
    • Ebb and Flow, 2023
    • Immolation, 2023
    • Enclosure, 2022
    • Ornaments, 2022
    • Ouroboros I-VI, 2022
    • The Weight of The World, 2021
    • Burrow, 2021
    • Scaffolding Series 2021 - 2020
    • Causeway, 2020
    • Brick & Tarmac, 2020
    • Green Screen, 2020
    • mirrors make me backwards but the ground keeps me rooted, 2019
    • Confession Series, 2019
    • Paradise (Lost), 2019
    • Attachment Issues, 2018
    • Pumpkin Spiced Latte, 2018
    • Location Works 2018 - 2019
    • "STUNNING", 2016
  • Info / Press
  • Free wall space
  • Four Walls

 

Ebb and Flow, 2023

Soil

Dimensions Variable

‘The gallery floor is covered with Henry Kitcher’s in-situ installation, Ebb and Flow (2023). The bricks, whose pattern echoes that of traditional English pavings, are made from compressed soil. Following a repetitive, almost obsessive process which reminds us of assembly-line production methods, the artist’s gesture inquires the manufacture of landscapes. The persistent nature of the reproduced object contrasts with the fragile organicity of the artworks, whose texture and colours evolve over time. Ebb and Flow acts as a constraining device, directing visitors’ movements.’